Grape guide
Moscato: a guide to the aromatic grape variety, from sparkling and raisin wines to dry styles
Moscato is not a single wine, but a large family of aromatic grape varieties that has been widespread in the Mediterranean and far beyond for centuries. Their shared characteristic is unmistakable: immediate aromas of fresh grapes, orange blossom, peach, sage, citrus fruit and sweet spices. It is a grape variety that speaks clearly even to those new to wine, yet can offer depth and longevity in its finest expressions, especially in raisin wines.
In my work across restaurants and hospitality, I have often seen Moscato confined to the end-of-meal toast. That is a shame: a well-served Moscato d’Asti can make a savoury afternoon snack memorable, a dry Alto Adige Moscato pairs wonderfully with spiced cuisine, while a Pantelleria raisin wine is a contemplative wine that deserves time, silence and a small glass. Knowing its different expressions helps you choose the right bottle for every occasion.
The history and identity of Moscato
The name Moscato probably derives from the Latin muscum, meaning musk, referring to the intensely fragrant character of the grape. The Muscat family is among the oldest cultivated by humankind: its precise origins are difficult to define, but its spread is linked to Mediterranean trade, Greek and Roman routes and, later, monastic and commercial viticulture. Today, numerous varieties include the term Moscato in their name, differing in skin colour, berry size, ripening period and winemaking style.
In Italy, the best-known is Moscato Bianco, also called Moscato Canelli in Piedmont. It is a light-skinned, highly aromatic variety, sensitive to climatic conditions and capable of retaining exceptionally pure aromas when harvested at the right level of ripeness. Alongside it are Moscato Giallo, particularly important in Alto Adige and Trentino; Moscato di Alessandria, or Zibibbo, the star of Pantelleria and Sicily; and Moscato Rosa, with darker floral and spicy notes. Moscato Nero di Scanzo in Lombardy, meanwhile, offers a rare and fascinating red raisin-wine expression.
Moscato’s aromatic character is varietal: it does not depend solely on winemaking, but is already present in the grape skin. Aromatic compounds, particularly terpenes, bring notes of rose, jasmine, orange blossom, mandarin, sage and nutmeg to the glass. Soil, altitude, exposure and production method then determine whether these aromas will be fresh and delicate, concentrated and honeyed, or more spicy and complex.
From sweet sparkling wine to raisin wine: Moscato styles
The best-known style is Moscato d’Asti: a sweet, lightly sparkling white wine, generally with moderate alcohol. It is made by stopping fermentation before all the grape’s natural sugars are converted into alcohol. The result is a wine whose sweetness is balanced by acidity and carbon dioxide, with aromas of white peach, apricot, grape, acacia flowers and sage. Asti, made with more pronounced sparkling effervescence, has livelier bubbles and a more celebratory character.
Moscato can also be dry. In Alto Adige, for instance, dry Moscato Giallo combines aromas of elderflower, citrus, peach and spices with a drier, leaner palate that can be subtly bitter on the finish. In certain Sicilian areas, Zibibbo is vinified dry, often with greater body and a Mediterranean thread of orange peel, aromatic herbs and saltiness. These wines completely change the way Moscato is viewed at the table.
The most intense form is the raisin wine. Grapes are left to dry on the vine, on racks or in well-ventilated spaces, concentrating sugars, acidity and aromatic compounds. In the glass, you find dried apricot, dates, figs, honey, candied citrus peel, spices and, in more evolved versions, notes of tea and carob. A great Moscato raisin wine should not simply be sweet: it must have acidic lift, savouriness and a long finish, otherwise its richness becomes heavy.
The main Italian regions and their appellations
Piedmont is the essential reference point for Moscato Bianco. Moscato d’Asti DOCG comes from the hills in the south of the region, especially the areas of Cuneo, Asti and Alessandria. Here, calcareous marl, clay and sand, together with well-exposed slopes and a climate marked by temperature variations, encourage delicate aromas and freshness. The subzones of Canelli, Strevi and Santa Vittoria d’Alba help reveal different territorial nuances, from more fragrant fruit to a more mineral and structured profile.
Alto Adige is an important region for Moscato Giallo, often grown on sunny slopes in breezy areas with significant temperature differences between day and night. Soils range from porphyry and rocky debris to alluvial and limestone soils. The resulting wines may be dry or off-dry, taut and aromatic, with a freshness that makes them particularly versatile at the table. Alto Adige Moscato Rosa, often offered in a sweet style, instead brings notes of dried rose, clove, berries and cocoa.
Pantelleria is a world of its own. Here, Zibibbo, or Moscato di Alessandria, grows in extreme conditions: constant wind, intense sunlight, volcanic soils and a traditional form of viticulture based on low-trained vines sheltered in hollows dug into the ground. Passito di Pantelleria combines warmth with maritime freshness, showing a profile of candied citrus fruit, apricot, date and Mediterranean scrub. Finally, in Lombardy, Moscato di Scanzo DOCG produces a red raisin wine with great personality, made in the hills around Scanzorosciate, near Bergamo.
How to serve and taste Moscato
Temperature is crucial. Moscato d’Asti should be served well chilled, at around 6-8 °C: the cold enhances the liveliness of the bubbles and moderates the perception of sweetness. Do not serve it almost frozen, however, as its floral and fruity aromas would close up. For dry Moscato, 8-10 °C is ideal, while a raisin wine expresses its complexity best at 12-14 °C. A raisin wine that is too cold tastes merely sweet; one that is too warm can seem alcoholic and tiring.
For lightly sparkling versions, I choose a tulip-shaped glass that is not excessively narrow: it allows the aromas to rise without immediately dispersing the bubbles. For dry Moscatos, a medium-sized aromatic white wine glass is perfect. A raisin wine requires a small tulip-shaped glass; there is no need to fill it too much, as it is tasted slowly and tends to warm up. Decanting is unnecessary, but an important raisin wine can benefit from a few minutes in the glass.
When tasting, first look for aromatic precision: orange blossom, peach, grape, sage and citrus in Moscato Bianco; yellow flowers, spices and mandarin in Moscato Giallo; dates, figs and candied peel in raisin Zibibbo. Then consider the balance. Sweetness must be supported by acidity, effervescence or savouriness. It is precisely this tension that distinguishes a harmonious wine from one that is simply sugary.
Pairings: beyond dessert
Moscato d’Asti is a classic match for fresh pastries, fruit tarts, panettone, dry biscuits and hazelnut desserts. I would avoid overly creamy, highly alcoholic desserts or those covered in dark chocolate, which can overwhelm its delicacy. It works beautifully with Piedmontese hazelnut cake, a peach fruit salad and lightly savoury fresh cheeses. Its gentle effervescence cleanses the palate and also makes it enjoyable beyond the end of a meal.
One of the most successful pairings is sweet Moscato with spicy cuisine. In the dining room, I have often served it with Asian dishes featuring measured spice: mild curry chicken, spring rolls with sweet-and-sour sauce, spiced prawns or Thai cuisine that is not excessively hot. Residual sugar and aromatics temper the heat, while acidity keeps the sip lively. It is important that the dish is not too acidic, otherwise the wine may seem flat.
Dry Moscatos are even more versatile. A fresh Moscato Giallo pairs well with asparagus, spring vegetables, smoked trout, spiced vegetarian cuisine and goat’s cheeses. Dry Zibibbo is at ease with fish couscous, aubergines, sardines, fennel and citrus fruit. For Passito di Pantelleria, I would choose almond pastries, cassata that is not overly sweet, significant blue cheeses or foie gras; Moscato di Scanzo is at its best with dark chocolate, cocoa, berries and aged cheeses.
The sommelier's tip
- Serving
- 6-8 °C for Moscato d’Asti; 8-10 °C for dry Moscato; 12-14 °C for passito
- Glass
- Medium-sized tulip-shaped glass; small tulip glass for passitos
- Decanting
- Not necessary; let the passito breathe in the glass for a few minutes
- Food pairings
- Hazelnut cake · Sweet Gorgonzola · Fish couscous · Mild chicken curry · Almond biscuits
Frequently asked questions
Is Moscato always sweet?
No. The best-known versions, such as Moscato d’Asti and Asti, are sweet or off-dry, but dry-vinified Moscato Giallo and Zibibbo also exist. There are also very sweet, concentrated raisin wines.
What is the difference between Asti and Moscato d’Asti?
Both are made primarily from Piedmontese Moscato Bianco. Asti generally has more pronounced effervescence, while Moscato d’Asti is more delicately sparkling, often lower in alcohol and particularly suited to drinking young.
Should Moscato d’Asti be drunk soon after purchase?
In most cases, yes: its strength lies in its fragrant floral and fruity aromas. The finest bottles can develop for a few years, but it is advisable to drink them while they are fresh and vibrant.
Which Moscato should you choose with chocolate?
With dark chocolate, I would choose a Moscato di Scanzo or a rich, spicy passito. Moscato d’Asti, lighter and more floral, is better suited to biscuits, fruit, custard, almonds, and hazelnuts.
Written and curated by Luca De Matteis, WSET Sommelier